The Melbourne production closed on 18 December 2011. Lloyd Webber stated at the time that, even if a Broadway production did not happen, he felt that he had closed the chapter on the piece, as the filmed version is something he's, 'very, very proud of' and it does not really matter to him, 'if it comes tomorrow or five years' time'. It was then screened again in US cinemas on. The recorded performance also played in select theatres on 28 February and 7 March 2012. In the UK, the DVD was released on 12 March 2012, and in Australia it was released on 8 February 2012. The recording was originally to be released on DVD and Blu-ray 1 February 2012, but it was later delayed till in the United States.
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The Melbourne production was filmed on 15 September 2011 and made available on DVD. If people don't buy that, then they're never going to come onboard with the show, they're never going to respond to it.' Īlthough Lloyd Webber hoped to bring the Melbourne production to Broadway in the future, he told The New York Times that, even with the positive reception of the reworked Melbourne production, a Broadway transfer was probably not realistic. Phillips additionally addressed the audience's suspension of disbelief with regard to the plot of Love Never Dies: 'The central plot idea is that the Phantom and Christine have slept together. They didn't care that Andrew was creating a sequel to the original story.' However, Love Never Dies is not a sequel to Gaston Leroux's original novel, in which the character of the Phantom dies at the end. Before the show's opening, Phillips addressed the negative reaction of fans of Phantom to the London production, stating: ''I think the majority of the noise about Love Never Dies wasn't literary. Ben Lewis and Anna O'Byrne were cast as the leads. This production, the first outside of the UK, featured brand new direction and design by an Australian creative team, including director Simon Phillips. In 2010, Lloyd-Webber announced that the Australian production would open on at Melbourne's Regent Theatre. By October 2009, Shanghai plans had been dropped in favour of an Australian production. Technical issues with special effects and an automaton version of Christine, and the casting of multiple simultaneous productions also contributed to the postponement. In May, the debut of the London production was delayed until March 2010 due to Lloyd Webber re-orchestrating the score and re-recording the album. Plans were then announced for a separate Broadway production to run concurrently with the Toronto show if Toronto proved successful. Opening dates were soon announced as 26 October 2009 in London, November in Toronto and February 2010 in Shanghai, with a later transfer to Melbourne, Australia. The three casts would rehearse simultaneously in London for three months beginning August 2009. By March 2009, he had decided to open the show at London's Adelphi Theatre, followed by Toronto's Royal Alexandra Theatre (before transferring to Broadway's Neil Simon Theatre in 2010) and Shanghai. Lloyd Webber originally intended for Love Never Dies to open simultaneously in London, New York, and Shanghai in the autumn of 2009. A planned Broadway production, which was to have opened simultaneously with the West End run, was cancelled, the amount of negative press having deterred potential backers. The original London production received mostly negative reviews, but a subsequent Australian production featuring an entirely new design team and heavy revisions was generally better received, although the show finally closed with heavy discounting to tickets.
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Set and costume designs were by Bob Crowley. It was originally directed by Jack O'Brien and choreographed by Jerry Mitchell, but the show closed for four days in November 2010 for substantial re-writes, which were overseen by Lloyd Webber, and it re-opened with new direction from Bill Kenwright.
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The show opened at the Adelphi Theatre in London's West End on 9 March 2010, with previews from 22 February 2010. Although Lloyd Webber began working on Love Never Dies in 1990, it was not until 2007 that he began writing the music.